Thursday, May 7, 2009

Rain Recording Element i7 £2089 (PC)

A true behemoth of an audio PC, but is this heavy-hitter worth its weight in gold?

Although any modern computer can be used to produce music, that's not to say that it'll always run smoothly or be powerful enough for the most demanding software. Professional musicians in particular can't afford to waste time (and hence money) because of a temperamental or underpowered setup. Rain Recording's PCs are purpose built for audio work, and the Element i7 we're looking at here sports Intel's mighty new Core i7 processor. Our test unit has a few extras, too, namely a solid state system drive, Vista 64 and acoustic damping. The basic Element \1 starts at £1599 for a package with two 500GB hard drives and Windows XP Pro.

Everything is housed in a hefty aluminium case that's 60cm deep and almost as tall. There's plenty of space for upgrades like DSP cards, extra drives, etc, and the interior is very tidy. A flap on the front conceals four USB slots and a FireWire port. There's also PCI FireWire card (Tl chipset), providing ports on a separate bus.

The system is preinstalled with Acronis True Image, which makes back-ups a breeze, and something called RainZone, which is basically Windows XP running in a Virtual PC shell, enabling you to browse the internet and access email (or whatever else you'd like to do), safe in the knowledge that if you screw up the virtual OS, the 'proper' OS will be unharmed.

The system is quiet and doesn't hum like your average desktop, though it's not 'silent' due to the soft purr of the fans. As an experiment, we disconnected the fans and found that it remained stable when running the tests described in the Clocking off boxout The Core i7 920 chip is intended to operate at 2.6GHz, but can be overclocked in the BIOS or with MSI's Overclocking Center app in Windows. We got it to around 3.6GHz before it became unstable.

Drive rattling is almost inaudible due to the NoVibes hard drive cradle (we reckon this and the acoustic panels should come as standard). The Intel solid state drive is, of course, entirely silent, and its speedy performance makes for a slick, responsive system.

This is by far the most powerful PC ever to grace the cm test bench and, what's more, we experienced no erratic behaviour during our trials. Of course, there are much cheaper Core i7 systems to be found online, and you may consider building a similar one yourself. However, the big selling point of a package like the Element i7 is the reassurance that it's been put together with audio performance and stability in mind. And it's all done by professionals, who will be able to give you audio-specific advice, should you run into computer woes during the lifetime of the unit. For some users, this will be more important than making a short-term saving.

Contact: Rain Recording, 0845 0943964
Web: www.rainrecording.co.uk
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Clocking off
Overclocked to 3GHz, running a 44.1kHz Cubase 5 project, we created an audio channel with a WAV file and an instance of IK Multimedia's T-RackS 3 Deluxe running the Warm Suite preset in Oversampling mode. T-RackS 3 is very CPU-intensive (it's mainly intended for mastering), so we kept on duplicating the track and found that we could run a whopping 32 channels before dropouts - the computer remained responsive at all times, too. By comparison, our Core 2 Duo laptop struggled to manage six or seven channels with the same setup! In a real-world mix, we were able to use 12 instances of T-RackS 3 (in Oversampling mode), four of Overloud TH1, one Toontrack Superior Drummer 2.0 and more, reaching about 85% on Cubase's performance meter. With T-RackS in Lowest Latency mode, the meter was around half that. As for hard drive performance, we were able to play around 125 tracks of 24-bit audio at 44.1kHz.
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System spec
(PC) Intel Core i7 920 2.66GHz
(overclqcked to 3G Hz), MSI X58 _
Platinum motherboard, 3GB DDR3 RAW ATI HD4350 graphics, Intel X25-M 80GB^
SSD, Seagate Barracuda 1TB 72OOrpm
hard drive, Windows Vista Ultimate 64,
AcoustiPack damping, NoVibes drive
cradle, 12x USB port, 5x FireWire port
(two buses), Dual Layer DVDR/RW drive,

Alternatively
3XSSA-i7 PowerDAW N/A»N/A»£1620
A comparable system also built for audio. Price is for the basic spec

Inta-Audio i7R Music PC N/A»N/A»£1499
Another i7 920-based music PC. Again, the price is for the base spec

Verdict
FOR
- Solid, tidy build
- Very powerful and responsive
- Audio-savvy system support for life
- Lots of expansion space
- RainZone is a smart idea
- Quiet operation...

AGAINST
- ...But not 'silent'
- It ain't cheap!
If you've got the moolah and need a rock-solid, high-performance audio computer, you won't find this one lacking

MARK: 8/10

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http://www.computermusic.co.uk/

Focusrite Saffire Pro 40 £4oo (PC/ MAC)

Is this latest addition to the Saffire line a gem of an audio interface or just lacklustre?

Buying a new audio interface might not be the most exciting way to splosh your dosh, but pick the right one and you'll certainly feel like you've got your money's worth.

The Saffire Pro 40 is a rackmountable FireWire unit powered via an IEC cable. There are eight analogue ins on combo connectors (mic or line, XLR or balanced/unbalanced jack) with LED meters and gain pots. Phantom power is switchable in banks of four, and two ins have buttons for instrument input and -9dB pad.

As for outs, there are ten of 'em, all line level on 1/4" jacks, balanced or unbalanced. The twin headphone sockets mirror the signals at outputs 7/8 and 9/10 and have separate volume knobs. On the digital side, there's S/PDIF in/out via RCA plugs, and eight channels of ADAT in/out on optical connectors. There's MIDI in/out, too.

The front panel monitor section has a master volume knob, plus Dim and Mute buttons. The software control panel, Saffire MixControl, offers further flexibility - see boxout for more info.

Putting the Saffire Pro 40 into action, the sound quality is immediately impressive. Like a number of other companies' interfaces, this one uses the JetPLL jitter-reduction technology, which we've praised before. The Pro 40 has tight bass and snappy dynamics, and it's free of the graininess that interfaces at the more affordable end of the market can exhibit. The headphone outs sound great and are plenty loud enough.

Crystal clear
The mic pres are clean and clear, as you'd expect from Focusrite. As for stability, as long as we launched the MixControl app before our DAW, it was all plain sailing. We made an eight-channel multitrack recording with all outputs and 16 mixes active, at 96kHz and 128 samples latency, and operation was glitch-free.

More than one application can use the Pro 40's ASIO drivers at once, with their outputs mixed automatically. There's a useful feature called Loop Back, too, whereby the output from one app can be internally routed to the input of another. We used this to pipe our media player into Cubase, so that we could listen to it through IK Multimedia's ARC System room correction. Nice.

There are a fair few interfaces like this on the market, but you still have to pick wisely. The Saffire Pro 40 is definitely one of the best around, and it has an attractive price, too. The inclusion of the Focusrite Plug-in Suite (worth £50) adds further value to the package.

Contact: Focusrite, +441494 462246
Web: www.focusrite.com
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Channel tunnelling
Using the Saffire MixControl app, you can create 16 mono mixes (or eight stereo/ combination thereof). Each has 18 mono channels (or up to 9 stereo) that can come from a hardware input or an out from your DAW. This is ideal for making monitor mixes for musicians, and you can name channels and mixes, then save the lot for total recall. In the routing area, you determine which signal appears at which physical output: it could be a DAW output, a mix, or an input signal (ie, for zero-latency direct monitoring). There are preset routings, but annoyingly, you can't save your own.

The monitoring section lets you designate the outputs that are controlled by the volume control, which can be the knob on the unit or the one in MixControl - this is handy for controlling multiple monitor levels - when using surround sound, for example. Similarly, there are presets, but you can't define your own.
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System requirements
(PC) 900MHz CPU, 512MB_RAM,
Windows XP/Vista 32/64


(MAC) 1Ghz CPU, 512MB RAM, OS X 10.4

Test system
(PC) Core i7 920 3GHz, 3GB RAM,
Windows Vista 64


Alternatively
PreSonus FireStudio Project cm130» 9/10 » £489
Broadly similar but has two analogue TRS inserts, only one 'phones out and simpler routing

M-Audio ProFire 2626 cm127» 9/10 » £479
Another solid FireWire rack interface, this one can operate in standalone mode, too

Verdict
FOR
- Quality sound and clean mic pres Flexible routing software
- Good value
- Drivers work with multiple apps
- Dual headphone outs

AGAINST
- Software may baffle some
- No standalone preamp operation
- Can't define routing/monitoring presets
- No way to use multiple units

The Saffire Pro 40 boasts a fine sound and solid features, and the keen price point gives it an edge on the competition

MARK: 9/10
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http://www.computermusic.co.uk/